REPRESENTATIONS OF GENDER IN “SINGING IN THE RAIN”

Representations of Gender in “Singing in the Rain”

Representations of Gender in “Singing in the Rain”

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As a mainstream Hollywood movie made in 1927 it’s not entirely stunning that “Singing in the Rain” represents Females in the stereotypically patriarchal way. Having said that simply because this film is meant for being a basically entertaining musical, the ways that the feminine figures are offered as classic woman tropes is a lot more delicate. Lina Lamont, the Hollywood starlet, is often a fame-hungry, vapid actress prepared to do just about anything to climb the ladder to success; Kathy Selden, the aspiring actress, is the witty adore interest who difficulties the protagonist, but who's in the end a damsel in distress.

Lina and Kathy could possibly be considered as opposing ideals, each representing a different kind of woman. Lina represents a vulgar, provocatively dressed female that's loud and strongly opinionated. Kathy is a lot more conservative, silent, but witty and clever, that has a good voice and agreeable disposition. It is obvious by the portrayals of such woman people who the captivating, properly-considered character is (Kathy). And through this distinction we get a really obvious interpretation of the movie’s beliefs toward Females. Simply because Lina will be the antagonist, it is clear which the producers of “Singing from the Rain” imagine Kathy’s feminine attributes are chosen.

The rationale I might argue the creating for these female people is patriarchal is as a result of agency of these two people. Lina, the naturally disliked character, actually evolves through the entire film and to the tip acts on her own company and issues the producer, director, Don and Cozmo. Kathy Alternatively–the desired like fascination–in no way truly functions on her possess agency, earning her a flat, minor character. Through the Film, all of her choices are made for her or affected by Don, and she or he ends up staying a damsel in distress who almost falls victim for the “evil” manipulations of Lina. When Lina threatens to damage Kathy’s career and likelihood at achievements, Don steps in and attempts to just take control of the problem. Right here we see Kathy as someone wanting assist, and During this instance it is a man, her love desire, who ways in visite here to assist her–ergo, a damsel in distress. After upsetting Kathy while in the pursuit to expose Lina, Don wins her back with a track in the direction of the tip of the film.

The fact that this movie’s ideals are generally patriarchal is, all over again, not stunning because of the time frame, but it's important to notice how the narrative is manufactured being a representation of Hollywood’s ideals. And since this Film was produced for the duration of Hollywood’s Golden Age, it’s a secure wager to think that it is a broadly held Idea of that time period, that a more demure, passive and agreeable lady should be to be one of the most desired and beloved. Audiences are hence socialized to just accept with these ideals and find out a girl like Lina, who is characterized and focalized as “bothersome” and “manipulative” and wears more flashy and sexualized clothes, given that the lesser lady. And this is simply not to say that Lina just isn't aggravating or manipulative, but if a man was actively playing her function, she would possibly be considered humorous for her poor voice, or strong for her manipulation.

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